A mall corridor turned into the celestial civil service, for the launch of the Netflix series Ninguém Tá Olhando - taken as found, lit end to end, and gone in days.

Ninguém Tá Olhando invents a bureaucracy: Distrito Angelus 5511º, an office where guardian angels stamp forms, file them, and watch over the humans assigned to them. For the launch, the job was to put that office where people already were — in a shopping mall, in a corridor they had to walk down anyway.
The corridor was taken as found. A signage wall was set across it, framed panels were run along its length, and the lighting was built to swing the whole passage between green and red. Nothing was fixed to the building. It went up in a night shift, stood for the run, and came down without a trace.
A mall corridor is a fire escape route before it is anything else. The wall had to stand free, carry its own lighting load, and leave the egress width intact; the whole assembly had to arrive through a service entrance and be reversible. The plan below marks where it sat.
The stills that close this page are from the series itself — the Angelus office, its desks, its archive, its machine room. They are here because the installation is a fragment of that world, and the fragment reads better next to the thing it came from.
Client: Netflix. Year: 2019. ALGAZAL//CO as execution partner.
Images 8–12 are stills from Ninguém Tá Olhando (Nobody's Looking), © Netflix, shown as context for what the installation was promoting. The installation itself is images 1–7.